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Russia’s Post-Stalinist Master of Film Comedy: Eldar Ryazanov

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Walter Moss: A great admirer of the Charlie Chaplin’s films, Eldar Ryazanov is primarily known for his comedies, which are often referred to as “sad comedies” or tragicomedies.

The Big Trail: How the West Was Lost

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Ed Rampell: The Big Trail was supposed to set the stage for Duke’s Great Leap Forward from bit part player to matinee idol, and was ballyhooed as “the most important motion picture ever produced.”

Stony Island: Before There Was Rap, There Was R&B

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Filmed on the gritty streets of Chicago’s south side, Stony Island tells the story of Richie Bloom, the only white kid on the block, as he forms an R&B band with his best friend, Kevin.

“Heist” Chronicles Theft of American Dream

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Steven Mikulan: Like Inside Job and just about any title in the Brave New Films catalog, Heist gets our blood boiling with its money-pile graphics and occasional glib comments exhaled by Wall Street fat cats. Call this genre the Cinema of Outrage.

The Cinematic Stuff That Dreams Are Made Of

robert osborne and

TCM Classic Film Festival Review co-host Ben Mankiewicz was “booed” on the night of April 15 as if he was the taxman or a silent movie villain when he told 500-plus fans packed into Hollywood Blvd.’s historic Egyptian Theatre that the ensuing presentation of The Thief of Bagdad was to be the TCM Classic Film [...]

Russia and the West in the Films of Karen Shakhnazarov

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Walter Moss: Shakhnazarov has his biases and failings, and they sometimes are apparent in his films. What we can learn from viewing them, however, is sympathy for all the people in the world facing the dilemmas of Westernization

LA Asian Pacific Film Festival Runs May 10 to 20

where heaven meets hell

With personal Festival Week favorites, Planet of Snail from South Korea and Golden Slumbers from Cambodia, it’s exciting to bring Festival Week audiences along for a full-on journey of discovery, compassion, humor, and understanding.

Hunger Games: Young Racist Fans

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Rev. Irene Monroe: Would being more explicit when introducing non-white characters play into a racist assumption that literary characters are white unless otherwise stated?

Moneyball: The View from Ridge Hill

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Jim Cullen: I take my kids to local multiplexes because movie-going was one of the great pleasures of my childhood, and a ritual I want to pass on to them even as the days of theatrical release in theaters may well be numbered.

Russian Films on YouTube: From Eisenstein’s Masterpieces to the Present

the cranes are flying

Walter Moss: Available now on Youtube are excellent Russian subtitled films from the days of the great film pioneer Sergei Eisenstein to the present era of popular directors such as Alexei Balabanov and Karen Shakhnazarov.

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