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Simon Boccanegra: Who Let the Doge Out?

Ed Rampell: Widely perceived as a hoity-toity elite art form for the 1%, opera often gets a bum rap as stuffed shirts’ sonic sphere, but Giuseppe Verdi’s Simon Boccanegra gives the lie to this cliché.

Simon Boccanegra: Who Let the Doge Out? Simon Boccanegra: Who Let the Doge Out?

Pan African Film Festival: Duke’s Doc and Adult Animation

Ed Rampell: The Pan African Film and Arts Festival is for Black-themed movies what the Panama and Suez Canals are for international shipping: A vital gateway for the transshipment of, in PAFF’s case, film culture.

Pan African Film Festival: Duke’s Doc and Adult Animation Pan African Film Festival: Duke's Doc and Adult Animation

Seductive Power of Fading Advertising Signs

Randy Shaw: Thanks to the lead paint that kept these old advertisements from entirely fading, New York City and other cities have a collection of signs – literally – pointing to their cultural heritage.

Seductive Power of Fading Advertising Signs Seductive Power of Fading Advertising Signs

And Now for Something Completely Indifferent

Michael Sigman: Part of what attracts Americans to President Obama is his equanimity -- he's handled crisis after crisis with a cool intensity that shows he cares but is never overwhelmed by anxiety.

And Now for Something Completely Indifferent And Now for Something Completely Indifferent

Toussaint Louverture: Viva la Revolution at the Pan African Film Fesitval

Ed Rampell: Every once in a while a stand up and cheer movie comes along that sweeps audiences off of their feet. Toussaint Louverture is one of these breathtaking movies.

Toussaint Louverture: Viva la Revolution at the Pan African Film Fesitval Toussaint Louverture: Viva la Revolution at the Pan African Film Fesitval

Open Source Music: Get Your Hands Out of My Pocket

Derrick Ashong: Ask yourself how a successful, globally renowned artist can work for the same label for two decades and never get paid a royalty on his records sold.

Open Source Music: Get Your Hands Out of My Pocket Open Source Music: Get Your Hands Out of My Pocket

For Colored Girls: Ntozake Shange’s “choreopoem” about African American Women No Shangri La

Ed Rampell: All seven of the Colored Girls appear to have an unresolved, conflicted sexuality. They find some sort of resolution of conflict within a mystical sisterhood -- but that’s still half a people.

For Colored Girls: Ntozake Shange’s “choreopoem” about African American Women No Shangri La For Colored Girls: Ntozake Shange's "choreopoem" about African American Women No Shangri La

Marta Eggerth, Operetta Superstar, Turning 100

Michael Sigman: Marta's gorgeous voice, charming acting and striking appearance attracted filmmakers while she was still in her teens. In 1932 alone, she appeared in seven movies.

Marta Eggerth, Operetta Superstar, Turning 100 Marta Eggerth, Operetta Superstar, Turning 100

Journey 2: Latest South Seas Cinema Offers 3D and IMAX to Da Max

Ed Rampell: Journey 2: The Mysterious Island is a an entertaining escapist flick co-written by literary kleptomaniacs (including Brian and Mark Gunn) excavating the literary estates of Verne, Swift and Stevenson. (Can you say: "hodgepodge"?)

Journey 2: Latest South Seas Cinema Offers 3D and IMAX to Da Max Journey 2: Latest South Seas Cinema Offers 3D and IMAX to Da Max

20th Century: A Screwball Comedy for Any Century

Ed Rampell: Bard Ken Ludwig’s adaptation of Ben Hecht and Charles MacArthur’s 1930s play and movie versions of 20th Century retain the rat-a-tat repartee of this screwball script, while Michael Lorre’s adept direction maintains the comedy’s madcap pace.

20th Century: A Screwball Comedy for Any Century 20th Century: A Screwball Comedy for Any Century