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The Poor of New York: Old-Fashioned Melodrama New Again

Alex Parker and Kate O'Toole

Ed Rampell: Although, as this highly recommended play rightfully reminds us, poverty – then and now – is serious business. Greed was not good when perpetrated by Wall Street’s Gordon Gekkos of 1837, or today.

Satire Is Very Serious

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Tina Dupuy: Judging by the reaction to The Daily Show host Jon Stewart’s championing the Zadroga 9/11 responders bill to a successful passage during the lame duck session – most of the media doesn’t understand comedy either.

Not Only “For Colored Girls”

irene monroe

Irene Monroe: For Colored Girls is not only for colored girls because it offers a pathway to self-growth, finding our authentic power, and discovering the divine in one’s self.

“La Razón Blindada”–Theatre of Confinement and Liberation

De la Mancha (Castanos-Chima) and his Panza (Diaz de Sandy)

Diane Lefer: For those unfamiliar with contemporary experimental theatre from Latin America, Vargas’ work is a fine introduction with its stylized performances, heightened language, philosophical concerns, and its exploration of the dynamics of power.

Waiting For Lefty: The Wait Is Over

Daniel Keough and Anthony Gruppuso

Theatre West’s revival of Clifford Odets’ Waiting For Lefty is the most important play currently presented in L.A., and possibly the best production of 2010.

“Ruined,” But Not Forever?

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Dick Price: “Ruined,” tells the improbably uplifting story of a tawdry haven from an unimaginably cruel world where soldiers and the rebels they fight routinely rape, mutilate, and murder women for sport.

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