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An African Get Out Type of Movie

Ed Rampell: By inserting supernatural and detective story elements into her movie, with ghostly and zombie-like effects, Diop presumably makes Atlantics more accessible to non-African moviegoers.
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AFI FEST 2019: CAPSULE REVIEWS

The American Film Institute’s annual film festival is arguably Los Angeles’ best and most comprehensive annual fete of feature, documentary, short, animated, domestic and foreign cinema, plus panels and parties, taking place in Hollywood from Nov. 14-21. Here are capsule reviews of some of AFI Fest 2019’s myriad productions.

ATLANTICS (ATLANTIQUE): Film Review

Mati Diop’s Atlantics is a clever, creative film that - like Jordan Peele’s 2017 Get Out and 2019 Us - takes a look at a topical issue through the lens of horror movie genre conventions. Whereas Peele peeled back the layers of American racism and class inequality, Diop is tackling the mass migration wave that swept Europe starting around 2015. Although many of the migrants and refugees came from the Middle East, Diop focuses on undocumented “aliens” from Senegal, the Paris-born co-writer/director’s ancestral homeland where Atlantics was shot on location. Atlantics is also in part a policier, and as such has attributes of a police procedural.

By inserting supernatural and detective story elements into her movie, with ghostly and zombie-like effects, Diop presumably makes Atlantics more accessible to non-African moviegoers. Indeed, Atlantics is the very first film directed by a Black woman to be nominated in the Cannes Film Festival's 72-year history for its prestigious top prize, the Palm D'Or, and won Cannes' Grand Prix.

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Entirely set in Dakar Atlantics also deals with forced abstinence (including medieval virginity tests), arranged marriage, exploitation of workers, class inequality, arson and more. Being cheated by a Senegalese capitalist (proving once again that pigs come in all colors) prompts Black proletarians to embark on a desperate, disastrous voyage to Europe in quest of better jobs. The nonprofessional cast, which includes Mame Bineta Sane as 17-year-old Ada (who at times seems possessed), lends authenticity to this film, as does the fact that the languages spoken are Wolof (Senegal’s indigenous tongue) and French, with English subtitles.

With her feature film directorial debut, the young Diop - who is already an accomplished actress in France - proves with Atlantics she also has a bright future as a metteur en scène (movie director).

Ed Rampell

For more info: http://www.afi.com/afifest/.

Ed Rampell

The third edition of “The Hawaii Movie and Television Book”, co-authored by L.A.-based reviewer Ed Rampell, is available at: https://mutualpublishing.com/product/the-hawaii-movie-and-television-book/.